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    Home » On the news beat with the Fujifilm X-T30 III: a photojournalist’s first impressions
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    On the news beat with the Fujifilm X-T30 III: a photojournalist’s first impressions

    Ryan BaldemorBy Ryan BaldemorDecember 26, 2025Updated:December 26, 20253 Mins Read
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    (Editor’s Note: Philippine STAR photojournalist Ryan Baldemor reached out to me after the launch of the Fujifilm X-T30 iii. Apparently in a department of Canon photographers, he was the only one shooting on Fuji. After a few back and forths with Fujifilm, we were able to borrow the new camera for a test run.)

    Fuji 16mm – SS: 500 / ISO: 800 / F8 (ProNeg HI film simulations)

    The Fujifilm X-T30 III proves to be a compact but reliable tool for fast-paced news coverage. Its improved autofocus performance locks onto subjects quickly, even in chaotic and low-light situations common in breaking news. 

    Fuji 16mm – SS: 500/ISO: 3200 / F2.8 (ProNeg HI film simulations)


    The 26MP sensor delivers sharp, clean images with Fujifilm’s signature color science that works well straight out of camera-helpful when working against tight deadlines.

    Fuji 16mm – SS: 500/ISO: 3200 / F2.8 (ProNeg HI film simulations)

    Despite its small body, the camera handles confidently during long coverages. The 8-fps burst shooting is fast enough to capture crucial moments in protests, press briefings, and fast-moving assignments. 

    Fuji 16mm – SS: 160 / ISO: 6400/ F2.8 (ProNeg HI film simulations) 


    Every second matters in photojournalism, and the X-T30 III keeps up with the action. Low-light performance is also dependable, giving you usable images even in challenging conditions. 

    Fuji 16mm – SS: 3sec / ISO: 200 / F16 (ProNeg HI film simulations)

    Over two weeks of daily news coverage, the X-T30 III proved to be a capable backup body for a working photojournalist. However, if you have larger hands, the compact size might feel a bit too small. 

    Fuji 16mm – SS: 250 / ISO: 6400/ F2.8 (ProNeg HI film simulations)


    Adding an L-plate or handgrip significantly improves handling and comfort. Battery life may also feel limited—especially if you’re used to the X-T4 or X-T5-so carrying spare batteries is a must. 


    Fuji 16mm – SS: 250 / ISO: 6400/ F2.8 (ProNeg HI film simulations)

    When covering news, we follow certain rules—such as avoiding heavy color manipulation or overediting. The X-T30 III delivers excellent JPEGs straight out of the camera.

    Fuji 50-140mm – SS: 500/ISO: 6400/ F2.8 (ProNeg Hl film simulations)

    Reducing the need for post-processing and helping you meet deadlines faster. Fujifilm’s renowned color science continues to shine in real-world coverage. 

    Outside the newsroom


    Fuji 50-140mm – SS: 500 / ISO: 6400/ F2.8 (ProNeg HI film simulations)

    When it comes to street photography, the Fujifilm X-T30 III is a great companion because of its compact size—especially when paired with small prime lenses. 

    Fuji 16mm – SS: 250 / ISO: 6400/ F2.8 (Classic Negative film simulations)


    It’s discreet, allowing you to blend into the scene without drawing too much attention to your camera. 


    Fuji 16mm – SS: 500 / ISO: 3200/ F8 (Classic Negative film simulations)

    The X-T30 III isn’t just for professional assignments. It also shines during personal outings with family and friends, particularly on weekends. 

    Fuji 50mm – SS: 500 / ISO: 800/ F2 (Classic Negative film simulations)


    It delivers beautiful images while remaining so lightweight that you hardly notice you’re carrying it. Its portability makes it a perfect travel-friendly camera for everyday shooting. 


    Fuji 50mm – SS: 500/ISO: 800/ F2 (Classic Negative film simulations)

    fujifilm xt30 iii
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    Ryan Baldemor

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